Chances Dances is thrilled to announce the results of the Winter 2011 Critical Fierceness Grant cycle! Congratulations to all the winners! We had SO MANY worthy applications and it was truly a grueling decision. Thanks also to our lovely Winter 2011 Critical Fierceness Board: Davey Ball, Jackie Boyd, Bryce Dwyer, Alicia Eler, Jeanine O’Toole, and Katie Zien. And sincere thanks to all who applied!
$500 GRANTS
DOUBLE DJ & DANIELLE PAZ
Stiletto wearin’ queer dance trio Double DJ will be collaborating with artist and videomaker Danielle Paz to create a video that will “capture the energy and charisma of DoubleDJ, but tailor the choreography and narrative arc of our performance specifically for the camera.” The piece will depict a “fantasy version of how DoubleDJ was created,” inspired by the Chronicles of Narnia and “the idea of another world existing just on the other side of the wardrobe.” The collaborators hope their effort will cross-pollinate interest between their respective communities of experimental filmgoers and queer bar patrons as well as make DoubleDJ’s choreography available on the internet for queers everywhere to enjoy.
KAN SEIDEL & PRECIOUS DAVIS
Kan and Precious will be using Critical Fierceness funds to involve a group of 10 homeless MtF trans youth in a glamourous, self-affirming photography project, culminating in the production of printed, bound portfolios as well as a gallery opening displaying their photographs and documentary about the process. The duo will be serving as mentors, assisting the girls in styling and preparing their shoots. “It is essential that struggling trans youth have an opportunity to feel that their chosen gender performance is respected and appreciated,” they write; furthermore the project will serve as vocational training, useful not only for modeling but developing “skills necessary for creating a resume or preparing for an interview in any field.”
$250 GRANTS
MEG LEARY
With the assistance of a $250 Critical Fierceness Grant, Meg Leary will create a performance piece that “establishes a conceptual and aesthetic connection” between the closing and current disuse of Thalia Hall in Pilsen and the loss of queer artists due to AIDS. Specifically, she seeks to resurrect the work of Michael Peters, the now-forgotten choreographer of such iconic works as Michael Jackson’s Thriller music video; Peters died of AIDS at 46 years old. Leary’s silent performance will take place in now-abandoned Thalia Hall, attempting to “create a sensual and evocative re-envisioning” of Peters’ Thriller choreography, thus addressing the invisibility of queer cultural contributions and connecting to the Hall itself as a deserted and unseen interior space.
THE LAND LINE
The Land Line is a new, Chicago-based, collaborative quarterly journal “for work that is raunchy, flamboyant, interdisciplinary, and intellectually rigorous.” Critical Fierceness money will help with the printing and dissemination of future issues, which will prominently feature work by Chicago queers and allies. The Land Line prints “research-based essays, cultural criticism, engaging interviews, nonlinear comics, radical art, and experimental poetry side-by-side in a free publication under the banner of staunch amateurism.” A list of locations where you can find their first issue is on their website, as well as a call for submissions for issue number two!
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We’re looking forward to seeing these projects come to fruition over the coming months, and to our next cycle this summer! Mark your calendars–June 30th is the deadline!
Love and admiration,
Team C/D
















